The front cover of The Punctual Actual
Weekly at left is graced with a painting
by Peter Loschan, a friend, mentor and
figurative abstraction artist in the
1970's. There is quite a bit of material
in the book about action painting; it
presents an objective correlative
parallel sense modality of Physical
Theatre, the setting of the book. Loschan
was influenced by de Kooning, and pursued
the energetic atemporal. On the cover, the
image of figurative abstraction is
overlaying an image of particle tracks in
a cloud chamber, which has got to be the
ultimate mandala of my generation. The
cloud chamber showing creation and
annihilation in spaces wild and tame of
higher dimensions is allowed to penetrate
the frame of the painting indicating how
action painting reflects the zeitgeist.
The background image shows the tail-lights
of cars streaking down a California
freeway; this relates to the worker
stories about driving a hack in Berkeley.
We are looking at car tail lights as vapor
trails in the psychic cloud chamber of the
night cab driver.
The back cover shows two paintings by
Peter Loschan, balanced around a sticker
that says ACTUAL. Figurative Abstraction,
is like sumi-e except without the
iconography and the training of brush
stroke techniques from writing. It is a
kind of harnessed Action painting, done
with the same aggressive attack but with
always a control trying to capture the
human figure. These images are montaged on
top of an urban night scene of time
lapsed motion photography of car tail
lights in a landscape of signs: stop
lights, signals, directions. There's an
old California drivers proving arrival at
the edge, the Amphictyonic theatre at 2019
Blake St. in Berkeley, shown on a map.
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